For this reason, such a lens will not capture a wide scene with all the details like a 35mm lens does, but will be narrower. There’s an excellent overview to be found on the B&H Photo website. Therefore, my recommendation is that you can realize 50mm lens photography ideas for small groups in almost any circumstances; for bigger groups, you need a large room or free space outside. For instance, you can benefit from a durable case build, which will become really helpful if you often work in difficult shooting conditions. 50mm is regarded as a fantastic lens for general use. Despite all the pros, this lens has some weak points that become noticeable if we are talking about 35mm street photography. Zoom is a lens with a variable focal length. Very high resolution, low distortion and chromatic aberration, beautiful, three-dimensional pattern - all this is available at a reasonable price. The main disadvantages are heavy vignetting and average flash resistance. The advantages of the fixed lens are aperture ratio and sharpness. However, for 35mm this will not be a problem. In the case of close-up portraits, you need a longer lens, as the 50mm will begin to distort the subject when shooting closer. 35mm lens has approximately the same “vision” as the human eye, so the picture you get with it is realistic and with the correct perspective. Though, most manufacturers produce 50mm lenses and the number of 35mm model is much lower, you can still find a reliable one. If you shoot on a camera with a crop (APS-C) sensor, you will have to do a little bit of maths. Canon - EF 500mm f/4L IS II USM Super Telephoto Lens for Most EOS SLR Cameras - White. Taken by Nikon AI-S 35mm f/1.4 and Sigma 50mm f/1.4 DG HSM. 50mm is the classic choice, but it’s also a bit of an anomaly. One of the most popular questions among newbies is “Why should I choose a lens with one focal length, if I can buy a zoom that covers them all and even more?”. I chose two 35mm lenses at a different budget, as well as my favorite lens with this focal length. Why? The main disadvantage is a small aperture. Nikon has released an updated version of its visual lens roadmap for Z-mount camera systems, revealing silhouettes of three upcoming lenses, including two super-telephoto lenses and one macro prime lens. You can use it in product photography to get images with a very blurred background. 28mm used to be a very popular wide angle, perhaps the closest thing to a standard wide lens. That dual purpose + affordability makes it an option to consider. Therefore, it seems to me that this is the best choice for a street photographer, since the emotions and natural look of the image in this genre are the main things. But believe that it is really possible. It makes no sense to make 35mm vs 50mm comparison, if we are talking about different sensor types. It seems that 35mm is more versatile. Why You Need a 50mm Lens: They're Sharp The great thing about prime lenses like the 50mm is that they have fewer internal elements than a zoom lens. How Does the Sony a7 III Compare Almost Three Years After It Was First Announced? This is really a lens designed for use in difficult conditions. By contrast, 50mm allows you to position your subject a little further away from the lens and avoid creating this distortion. For example, 24-70mm, 17-55mm and others. With fewer elements inside the lens, that means that they can take photos that are sharper and clearer. Different cameras have different sensor sizes. You can go even wider — 28mm (17-18mm APS-C) is a popular choice for street and documentary photography, and is similar to the main camera on the majority of mobile phones. The biggest problem arises if you go to shoot a landscape with 50mm or even 85mm lenses. For this reason, 50mm is often called a standard prime. It is the lens I would recommend to a photographer after getting used to their 18-55 mm kit lens. Samyang have a very nifty, lightweight and affordable, 45mm F1.8 for E-mount. Prime lenses are lenses that don’t zoom. For example, 50mm, 35mm, etc. Because of this, 85mm is regarded as a portrait lens, creating much more separation than 50mm, and creating less distortion, too. This makes it an ideal option for travel where you often want to give more of a sense of context rather than picking out specific details. I know that most product photos are taken using zoom lenses, since they are more versatile and convenient for this photography type, but 35mm will produce rather decent pictures even in this genre. For example, I once took a group shot of 10 people indoors and was very limited in space, so I had to literally lean the camera against the opposite wall. 35mm is great for documenting everyday life and subjects that move unpredictably. Years ago I chose the path of the 100mm f2.8 macro. Because these wider apertures allow in so much more light, such lenses are described as “fast.”. While this is an expensive lens, you're getting phenomenal image quality and build. Because of its wider angle, it gives a much deeper depth of field compared to a 50mm. 50mm f/1.2L is a creative lens with a unique pattern that can be used when taking half- and full-growth portraits with a very beautiful soft effect and magical bokeh. Faces and features will be closer to what your eye sees naturally. This means a loss of image quality but for posting online, it’s unlikely to make a noticeable difference. The second minus is the price. Anyway, in this price category, you definitely will not be able to find a lens with better optical quality and equally extensive creative possibilities. Another obvious advantage of the fixed lenses is their size and weight. With this lens, you cannot rely on distortion typical a wide-angle lens or beautiful compression you get with a telephoto lens. The ‘nifty-fifty’50 mm prime lens has a field of view of 39.6 degrees. Henri Cartier Bresson described it as being an extension of his eye. The second plus in favor of 35mm lens portraits is the possibility to tell a bit more story. If you need more convincing about how great the 50mm lens is, check out the video below by DigitalRev TV: Left: f/1.4, $1798, 28.8 oz / 820 g. Right: f/1.8, $548, 13.09 oz / 371 g. That said, there are successful photographers who chose to save up and buy the most expensive prime as their first fast lens because they simply wanted the best glass that was available, along with the ultra-shallow depth of field. A full frame is simply a camera sensor of the same size as a 35mm film. Choose 50mm lens if you aren’t sure that you will be engaged in 35mm lens photography and will need a wider model, but don’t want to be limited to a longer lens. The 35mm lens makes you get closer to the subject, which enhances true emotions. The narrower field of view created by this short telephoto lens will require you to be more involved in choosing your framing, deciding what’s in and what’s not, and taking far greater control over what is in focus. Street photographers often take advantage of this difference by using a smaller aperture to ensure that as much of the frame is in focus as possible. The high degree of protection deserves special praise. You might always not be able to take a step back, especially if you’re shooting indoors. The 50mm prime on average allows an aperture around f/1.4 on a mid ranged price lens, f/1.8 on the cheaper ones and f/1.2 on the pro series.This allows for some seriously creative shots with a very shallow depth-of-field. However, keep in mind that stitching together a panorama has never been easier: just shoot a series of images and merge them together when you get home. Longer lenses naturally create a shallower depth of field compared to wider lenses and 50mm is where you start to get a level of subject separation that can make a difference to your images. For example, Sony makes two 85mm lenses for its full-frame mirrorless cameras: the 85mm f/1.4 GM and the 85mm f/1.8. 85mm starts to give your images a truly cinematic feel and is ideal for shooting portraits. But everything is not so simple, and both types have their own advantages and disadvantages. Besides, 35mm is great for tabletop photography, as you will not need to climb high above the table because of the narrow viewing angle. 35mm lens is wide enough to allow you to shoot, for example, still-lifes or photos with lots of objects and details. Here’s an overview of the most popular options which should give you an idea of what will best suit your photography. There is a ton of other prime lenses available — you can certainly go much wider or shorter — but as an upgrade from your kit lens, I would argue that choosing from one of these three is your best option. You may see the difference between these 2 focal lengths. A 35mm prime makes a great walk-around lens, being small, compact, and ideal for responding quickly to what’s in front of you without feeling squeezed by a narrow field of view or worrying too much about being super precise with your focusing. This 35mm lens belongs to the line of professional optics and differs from the rest with its technically perfect design. Some argue that 35mm is closer than 50mm to what the eye sees naturally and it’s a popular choice for street photographers and photojournalists. 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